Eugène Ionesco’s Rhinoceros, now playing at Limelight Theatre’s Matuza Blackbox, is not merely a play — it’s a philosophical provocation. Written in 1959, this absurdist work remains startlingly resonant, especially in an age where ideological conformity and social contagion continue to shape public discourse.

In the razzle-dazzle world of Chicago, crime meets celebrity in a sultry, satirical musical set during the roaring 1920s. The story follows Roxie Hart, a housewife-turned-murderess who uses the media circus to climb her way to stardom. Alongside her is Velma Kelly, a vaudeville performer with her own murderous past and ambitions. As both women vie for the spotlight and the services of slick lawyer Billy Flynn, the lines between justice and showbiz blur into a glittering spectacle of manipulation, jazz and courtroom theatrics.

Set in New York City during the 1965 Northeast blackout, Fly By Night follows Harold, a lonely sandwich maker grieving the loss of his mother, and the two sisters he meets by chance: Daphne, a wide-eyed aspiring actress, and Miriam, a quiet dreamer with an uncanny sense of premonition. As their lives intersect, the show explores how fate, love and loss shape their destinies in surprising and interconnected ways. Structured like a memory — looping, layered and lyrical — the musical finds meaning in small moments and unexpected connections.

In early April, just weeks before opening night, a fire inside Players by the Sea’s Studio Theatre set off the sprinkler system. The flames were quickly put out — but not before smoke and water left the building in ruins. Rehearsals for Waitress had been underway for weeks. The set was built. The cast was ready. And then, everything stopped.

When a fire broke out at Players by the Sea’s building in April, it brought their spring season to a sudden standstill. Smoke and water damage left the building unusable, and with the set built and rehearsals well underway, the fate of their production of Waitress hung in the balance.

Acclaimed actor and director David Alford returns to the Jacksonville stage this summer to star in Lumen Repertory Theatre’s upcoming production of David Mamet’s American Buffalo. The gritty three-man drama opens June 13 in the intimate black-box setting of WJCT Studio B.

Jason Woods’ A Mad, Mad Wonderland! is a virtuosic, no-frills thrill ride: no set, no props, just Woods alone onstage with a whirlwind of characters he channels with uncanny precision and theatrical bravado.

MJ The Musical, the electrifying Broadway sensation, lands in Jacksonville with a show that not only pays homage to the King of Pop but also delivers a theatrical experience that is as grand as it is intimate. With its opening night at the Jacksonville Center for the Performing Arts, the production sets the stage ablaze with dazzling choreography, stunning visuals and a heartfelt tribute to Michael Jackson’s legacy.

Steel Magnolias at Orange Park Community Theatre invites audiences into the warm, familiar hum of a Southern beauty salon where hairspray is as essential as heart. Over the course of several years — and across changing seasons, hairstyles and life stages — six women gather to share gossip, swap advice and support one another through life’s joys and devastations. Set entirely in Truvy’s salon, the play chronicles the wit, warmth and resilience of its characters as they navigate friendship, family and loss.

A fire inside the Studio Theatre at Players by the Sea has caused widespread water damage throughout the Jacksonville Beach venue, suspending all operations and programming until further notice.

According to an email and Facebook post by Players by the Sea’s staff and board, the fire occurred while the facility was unoccupied. The sprinkler system activated as designed and successfully extinguished the blaze, but not before causing substantial water damage to the entire building. No injuries were reported.

Beautiful: The Carole King Musical at the Alhambra Theatre & Dining charts the rise of one of pop music’s most influential artists, from her early years as a teenage songwriter in 1950s Brooklyn to her triumphant debut as a solo singer-songwriter in the 1970s. Along the way, the story follows her collaborations with lyricist and husband Gerry Goffin as well as friendly rivals Cynthia Weil and Barry Mann. The show is a jukebox musical, but with enough narrative depth to give the music emotional weight — each song arriving at just the right moment in Carole’s life.

Death comes suddenly for the six teenagers of Ride the Cyclone when a faulty roller coaster derails at a grim, run-down carnival. Trapped in a surreal limbo, the chamber choir of the St. Cassian High School of Uranium City, Saskatchewan, meets The Amazing Karnak, a mechanical fortune teller who offers one of them the chance to return to life. To earn their second chance, the teens must share their stories, revealing their deepest dreams, regrets and desires. As they each take the spotlight — sometimes with humor, sometimes with heartbreaking honesty — they wrestle with the randomness of fate and the legacy they leave behind.

Lumen Repertory Theatre’s production of Agnes of God offers a haunting, emotionally charged evening of theater, balancing psychological tension with profound spiritual inquiry. Under the direction of Joshua Britton Andrews and Brian Niece, this taut three-character drama unfolds with gripping intensity, drawing the audience into its web of doubt, faith and trauma.

Limelight Theatre’s production of The Drowsy Chaperone is a love letter to the Golden Age of musical theater — wrapped in humor, nostalgia and delightful absurdity. The show follows a socially anxious theater lover, simply called Man in Chair, who invites the audience into his world as he plays a record of his favorite (fictional) 1928 musical, The Drowsy Chaperone. As the record spins, the musical comes to life in his living room, complete with over-the-top characters, show-stopping numbers and theatrical mishaps, all filtered through his unreliable but endearing narration.

Few musicals carry the emotional weight and timeless urgency of West Side Story, and Alhambra Theatre & Dining’s latest production delivers a stirring, high-energy interpretation that pulses with life. A groundbreaking fusion of classical, jazz and Latin influences, West Side Story remains a modern classic, reimagining Romeo and Juliet through the lens of 1950s New York gang rivalry.

Theatre Jacksonville’s production of The Women of Lockerbie, directed by Jeff Grove, delivers a poignant and deeply human exploration of grief and resilience that intertwines personal loss and collective mourning against a visually stunning backdrop. With a carefully curated cast and a set that feels as alive as the characters themselves, this production creates an immersive, emotionally resonant experience.

The Alhambra Theatre & Dining production of Southern Fried Funeral is a deliciously funny and heartfelt exploration of family dynamics, Southern charm and small-town life. Packed with memorable characters, sharp dialogue and a healthy serving of humor, this show offers audiences a heaping plate of laughter, love and a touch of chaos.

The FSCJ Artist Series presented the non-Equity tour of Dear Evan Hansen for a one-night-only performance on Sunday, November 3, 2024. This production, a staple of modern musical theater, is brought to life by a talented cast led by Michael Fabisch as Evan Hansen. The performance captures the emotional core of the story — an exploration of isolation, truth and belonging that resonates deeply with today’s audiences.

Lizzie at The 5 & Dime takes audiences into the dark, feverish world of one of history’s most notorious true-crime stories: the sensational, bloody saga of Lizzie Borden. This rock musical delves into Lizzie’s tumultuous life, weaving together themes of oppression, desire and, ultimately, explosive female rage. With a modern, hard-hitting rock score, Lizzie reimagines the story, capturing the inner turmoil and fury of a young woman pushed to the brink.

When Jed Clampett unexpectedly strikes oil on his land in the Ozarks, he and his family — Granny, Elly May, and Jethro — find themselves millionaires and head to Beverly Hills to start a new life. The Clampetts’ simple, rural lifestyle collides hilariously with the world of 1960s high society, creating a series of comedic misadventures as they navigate wealth, snobbish neighbors and cultural clashes.